Present Company

Present Company presents

Psychopathia Sexualis

Fall 2026 · New York City

About the Play

Psychopathia Sexualis is a sharp, warm comedy about New York relationships that gets stranger, and funnier, the closer you sit. Two couples and one potentially evil therapist match wits to understand the nature of friendship and marriage. At its heart, the play is about the secrets we keep and the strange things we do in the name of love.

The Cast

in order of appearance

Howard
A.J. Ditty*
Ellie
Tara Pacheco*
Arthur
Ben-David Carlson*
Dr. Block
Louis Butelli*
Lucille
Lida Maria Benson*

*Denotes a member of Actors' Equity Association.

Who's Who in the Cast

Headshot of Lida Maria Benson

Lida Maria Benson (Lucille)

Lida Maria Benson is a bilingual Ukrainian-American actor and folk dancer. She originated the role of Bailey Gallagher in the world premiere of Kimberly Belflower’s smash hit play John Proctor is the Villain at Studio Theatre (Helen Hayes Awards: Outstanding Ensemble in a Play, Outstanding Play). Some favorite credits include The Assembly (Porte Parole; Montréal, CAN), Tribes (Vermont Stage Company), Seminar (Middlebury Actors Workshop), and Boy (Keegan Theatre). As a Ukrainian folk dancer, she has choreographed and toured both nationally and internationally. Born and raised in Washington, DC, she is an alumna of the University of Vermont. Upcoming: Baby Shower Katie (world premiere, Round House Theatre). www.lidabenson.com

Headshot of Louis Butelli

Louis Butelli (Dr. Block)

Sometimes people let Louis be in plays. In NYC, this has included immersive extravaganzas like Sleep No More and Death of Rasputin, and venues like Carnegie Hall, Lincoln Center, and New Victory Theater. Elsewhere in the world this has included Folger Theater, Alabama Shakespeare Fest, South Coast Rep, La Scala Opera House, and Hotel Wonderland in the Netherlands. Less frequently, they let him be on TV in shows like the Law & Orders: Mothership and Criminal Intent, The Blacklist, The Knick, and All My Children. For Tony. louisbutelli.substack.com

Headshot of Ben-David Carlson

Ben-David Carlson (Arthur)

Ben-David Carlson is an Actor, Writer, and new Dad! Originally from California, Ben graduated from Circle in the Square Theatre School in 2015, and has been acting in New York City ever since. He is delighted to join Present Company for this production and would like to thank his wife, and his daughter for inspiring him to be joyfully ridiculous whenever possible.

Headshot of A.J. Ditty

A.J. Ditty (Howard)

A.J. Ditty is an actor/playwright/slash-mark enthusiast currently living in Brooklyn. NYC: Puffs (New World Stages/The Elektra/The PIT), Paddington Gets in a Jam! (DR2), Witches?! In Salem!?! (Here Arts), Gas (Theatre Row), The Mysteries (The Flea Theater), Kapow-i GoGo!!!, B.B.'s Inferno (The PIT). Regional: The Farnsworth Invention (La Jolla Playhouse), Accidental Death of an Anarchist, The Foreigner, The Adventures of Tom Sawyer, Noises Off!, Sherlock Holmes: The Final Adventure, and The 39 Steps (The Winnipesaukee Playhouse). A.J. is a cohost of The Worst of All Possible Worlds, a podcast that performs weekly case studies in the pop culture of a dying empire. Go to ajditty.com for all your ajditty.com needs!

Headshot of Tara Pacheco

Tara Pacheco (Ellie) (Co-Director)

Born and raised in New York City, Tara Pacheco has developed new plays at The Public Theater, Signature Theatre, and Milwaukee Rep. Her theater credits include 43 Stages of Grieving (The Tank), Thomas and Sally (Marin Theatre Company), and The Mysteries (The Flea). Onscreen, she's best known for playing Versace on three seasons of First Wives Club (Paramount+). Other screen credits include A Thousand and One, Unidentified Objects, Fourth of July, and Two Sentence Horror Stories. Tara studied theater performance at Columbia University and the British American Drama Academy. tnpacheco.com

Production Team

Matt Dean (Producer)

Matt's acting career began and ended playing the imaginative, gender-neutral child, JoJo, in Seussical the Musical in 6th grade. He parlayed his theatrical success into a vibrant career in high school and college a cappella. Now, when he’s not leading engineering at a tech startup, he supports and collaborates with the artists in his life from behind the scenes.

Alexander Katz (Co-Director)

Alexander Katz is a theater-maker and southern transplant. He and Tara Pacheco have been collaborators for over a decade producing works across media. He has previously worked at AudienceView/TheaterMania, Company XIV, and he is the webmaster for dalepeckbooks.com.

Maria Mills (Stage Manager)

Maria Mills (she/her) is excited to join Present Company for their opening season. After stage managing in DC for the past five years, she's decided to make New York her new home. Maria most recently partnered with Showtown Theatricals, the Kennedy Center, and Shakespeare Theatre Company. She would like to thank Tara and Alex for their support as she begins her NYC adventure.

From the Directors

Tara Pacheco and Alexander Katz in front of floor-to-ceiling bookshelves

Alexander Katz and Tara Pacheco met while studying theater at Columbia University and have been collaborators for over a decade. Their work spans theater and digital media, including the beloved web series Look it Up. Their shared approach centers on sharply drawn characters, deep textual analysis and a strong sense of play. With Present Company, they bring that sensibility into people’s homes, drawing audiences into the characters’ lives and letting each room become part of the story.

Read the directors' statement

What secrets do we keep from our friends? Our lovers? Ourselves?

John Patrick Shanley’s Psychopathia Sexualis was first produced in 1996, and since then masculinity has been in crisis. Shanley heightens the predicament by creating a cartoonish villain in his therapist, Dr. Block. With his almost omniscient view of the play, Dr. Block is able to manipulate his patients into catharses that they feel they’ve induced themselves. But we, the audience, can actually see Arthur, Howard, and Lucille never needed Dr. Block at all. It serves as a lesson on vulnerability and the importance of open communication in marriage.

The title comes from an 1886 medical textbook of the same name. Famous for being the first to borrow the term bisexuality from botany, Psychopathia Sexualis (1886) detailed psychological case studies of sexual abnormalities. It is notable for its deviation from religious beliefs around sexuality and attempted to destigmatize those who engaged in non-traditional sex acts.

The “strawberry handkerchief” of Psychopathia Sexual (1996) is a pair of dirty, argyle socks. Like their Shakespearean predecessor, they become absurdly overburdened with meaning. But here the object doesn’t drive the protagonist toward destruction; everyone else’s attempts to possess it make them increasingly foolish. The socks become merely a comedic speedbump on the way to the altar and instead serve as a lesson on acceptance and vulnerability.

The socks are an unexplainably attractive force - a fetish. Originating from a 16th century Portuguese word for charm, fetish has come to mean any non-vanilla sexual act. But within that definition is still some compulsory quality which can lead fetishists into a shame spiral especially in cases of repression.

Since the 19th century society has made major progress in the acceptance of non-traditional sexualities, yet it wasn’t until 1980 that “paraphilia” was added to the DSM replacing “sexual deviation.” Furthermore it was only in 2013 that the DSM added a distinction clarifying paraphilia from paraphilic disorder. Today we understand Arthur’s prognosis would not require medical intervention.

By trying to cure his fetish while keeping it hidden, Arthur represents a self-improvement for which we all strive - a base sense of pride that propels us forward. The same motivation compels Howard to quit his job, whether it has a sexual undertone is open to the audience. However, it is only after everyone learns everyone’s secrets and everyone accepts them that all of our characters can proceed to the wedding altar.

No matter how much time we spend in introspection, sometimes you need an outside perspective to put it all in context. But who would you trust more: your friend or your therapist?

— Tara Pacheco & Alexander Katz

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